Don’t Breathe (movie review)

Don't_Breathe_(2016_film)The film genre that I probably love the most is none other than suspense-thriller. The feeling of urgency and the sense of danger in these films give me a different kind of high. I feel like I become one with the characters of suspense-thriller movies. Whatever they do or whatever happens to them sort of extends to me in a way that I really get affected and this shows with how I react while watching. Never have I ever squirmed too many times in my seat, uttered too many verbalizations or covered my mouth (I actually don’t do this! Haha.) while watching a film! I did all these while watching Don’t Breathe! IT IS THAT INTENSE!

I will never be this affected if the movie only gives the thrills without having a solid backstory. Don’t Breathe offers an effectively simple yet horrifying plot: Three delinquents (Jane Levy, Dylan Minette, Daniel Zovatto) decided to break into the house of a blind army veteran (Stephen Lang) to steal money in the middle of the night. Little did they know that the old man might be blind but he isn’t a veteran for nothing. He turns to be the one hunting them inside his very own house. Thrilling, isn’t it?

I have to commend the writer-director of the Don’t Breathe, Fede Alvarez, for creating this unideal concept and successfully bringing it out alive on the big screen. I bet many people got interested with the trailer of the film but it’s really just a teaser, a teeny-weeny one, of what’s to be expected in the whole film. The actors delivered well all throughout despite the limited character development. The camera work and the editing are flawless, enabling lots of jolting scenes, which may make one shout or even scream! How about the sound and the music? Oh, they increased the dark mood brooding in the unexpansive setting of the old man’s house.

Gripping, thrilling and downright nerve-wracking, Don’t Breathe doesn’t really ask you not to breathe. It just makes you do.

Don’t Breathe’s movie rating by the pondering movie fan: 4.5 out of 5

 

Feng Shui 2

Feng-Shui-2-Movie-PosterIf there’s a rare opportunity that I get to spend time watching a movie with a lot of moviegoers, it is during the Metro Manila Film Festival (MMFF). I rarely want to watch with many, many people inside the movie theater because I don’t want distractions while watching. Much more when the people who are watching with you are really noisy and unintentionally funny. However, I actually liked it while me and my family are watching Chito S. Rono’s Feng Shui 2.

Ten years after the first Feng Shui film haunted the Philippine audience, the “promised” sequel finally  arrived this year as one of the eight film entries in MMFF 2014. Still helmed by acclaimed movie director, Chito Rono, Feng Shui 2 pitted brilliant actors Coco Martin and Cherry Pie Picache with the remaining cast of the first film Kris Aquino and Jonee Gamboa. As soon as I heard that the well-loved horror film from a decade ago would have a sequel, I immediately put it on top of my must-watch movies this time of the year. After watching some great things and not so good ones in the film, I could say that I actually enjoyed it.

Now, what everybody should understand is horror movies are tricky. The types of thrill or suspense they give the audiences are based not only on the type of horror movie they are (i.e. ghost or supernatural movie, gory movie, horror/comedy movie, war movie, etc.) but also on the assembly of the cast and crew that they have.  Feng Shui 2 is backed up by a great cast and production team (Star Cinema, no less) and one should have a feeling that after buying the movie ticket that they are in for a great ride. Did I get to have a great ride after watching the movie? In a word: yes.

Even though Kris Aquino said that this film is not a sequel to the original, Feng Shui 2 is undoubtedly a sequel (she insisted it is only a continuation of the story; hence, a sequel). Anyway, flashbacks of scenes from the original were shown at the start: Aquino as Joy losing her family and eventually destroying the bagua. A new family was then shown to fall victim to the bagua’s horrifying curse and what I got was an immediate feel of rising tension in my bloodstream, which is, of course, a good thing when you’re watching a horror movie. Most of the first half of the film is about Lester (Coco Martin), a 32-year-old hustler who lives with his mother in a dilapidated house along the river. One assignment that he had was to retrieve a bagua from a fall victim. Unbeknownst to him, looking at the mirror of the bagua belies a curse that could kill everyone who looks at it after him. To his horror, he found death around the people he knows and loves comes by one after another. One fateful day, he met Joy, now a very successful real estate agent, who realized the ghost behind the bagua was coming after her again. With the help of Lily (Cherry Pie Picache), a survivor of the bagua curse, and Hsui Liao (Jonee Gamboa), a Taoist priest, will they ever save themselves from the curse of Lotus Feet, the ghost haunting the bagua?

Early on, the signature touches that Chito Rono gives to his horror movies are evident in this film: a creepy atmosphere, a set of strongly written characters and a definitive setting. I liked how he playfully toyed with colors, set up most of the scenes and stylishly showed the contrasts of being lucky and unlucky in the film. Unsurprisingly, there were solid scream-worthy or shout-inducing scenes thanks to great editing and camerawork. Evidently rising up to his role in the film, Coco Martin is impressive as Lester (though some of his speech sounds while shouting in one scene troubled me; excuse me, that’s me as a speech pathologist speaking hehe). Leveling to Martin’s brilliance is Cherry Pie Picache who in her relatively short stint in the film made a greater impression than Aquino. But not to worry, Aquino did well in the film (and this is a relief), much like the rest of the cast that includes Carmi Martin, Rez Cortez, Beauty Gonzalez, Ian Veneracion and Ian de Leon.

However, a Filipino scary movie (heck, let’s make that a Filipino movie) without loopholes is pretty hard to come by. Feng Shui 2 is a good horror movie as it fulfills many standards being looked into a horror film, but it isn’t lacking with holes in its plot. For one, the immediacy of deaths of the characters was baffling. Moreover, the ways these characters died were somehow forced to fit in whatever Zodiac year they were born in no matter how senseless they might be. Meanwhile, the supposed fun of guessing how the characters would die was taken out here as opposed to the original. Items or objects that would link the characters to their possible way of death were either easy to guess or obviously presented. In short, it was highly predictable. Nevertheless, thanks to Rono and his editors, the movie’s consistency of good story-telling bypasses all these shortcomings.

Combine a great cast to a great director with a consistent albeit far-fetched story and what you have is still a pretty solid movie. Add to that screaming males and females, both old and young in the audience and what you have is a good movie experience.

Feng Shui 2’s movie rating by the pondering movie fan: 4 out of 5

T’yanak

T'yanakT’yanak is said to be a remake of the classic horror movie about evil babies called tiyanaks. Helmed by the directors of the original Tiyanak, Peque Gallaga and Lore Reyes, T’yanak tries to impress with a similar storyline starring one of the best actresses in the country, Judy Ann Santos. Are they successful in doing so? Let’s find out.

T’yanak started with a good mash up of scenes: a soon-to-be bride named Madie (Solenn Heussaff) was jogging in the woods, a husband (Sid Lucero) and his pregnant wife were walking in the woods after buying some goods in the market and Madie’s soon-to-be sister-in-law named Julie (Judy Ann Santos) was doing yoga at home.Things started to get unusual when suddenly Madie and the couple heard cries of a baby in the woods. Curious as to where it was coming from, the pregnant wife tried to find the baby. One thing led to another resulting to the wife being killed, the husband getting crazy, Madie finding a baby inside a nearby cave and Julie acting up as a real mother to the said baby after Madie took him home.

Great switching up of the scenes, bracing musical score and passable acting and directing provided a good introduction. Unfortunately, the scenes went downhill after that.

Inconsistencies in writing and inefficiencies in editing are apparent all throughout the film. The audience would be puzzled at times how one scene led to the other here (e.g. the couple, Madie and Mark as played by Tom Rodriguez, were seen lying on the bed sleeping; after a short while, they were seen talking to some people in a different place for the preparation of their wedding… at the same night!). There were some good dialogues, especially ones concerning how one mother is willing to sacrifice everything for her child or how the tiyanaks came to be. It’s just a wonder how these lines came from a tiring screenplay that took so much longer than the audience to realize where it was going. More so,albeit advances in technology transpired after decades since the original, it isn’t seen much in this remake. In fact, you’ll miss the tiyanak from the original one.

If there’s one thing that is undeniably good about the film, it is its lead star, Judy Ann Santos. She is excellent in her role as Julie. The movie’s few great moments are due to her exemplary performance as a wife who doesn’t want anything more than having a baby. You’d still like her despite her character’s irrational decision-making and questionable sanity. Liza Lorena (as Julie and Mark’s grandmother) and Sid Lucero (as the vengeful widower) provided good support, while Rodriguez and Heussaff could have tried much, much more to prevent themselves from being caricatures in the film.

I feel regret after watching the film. Dragging and hyped to attract audiences (it was Graded A by the Cinema Evaluation Board), T’yanak is an unremarkable remake of a successful 1980s horror movie. It relied on its actors’ performances more than anything else where it could have certainly excelled.

T’yanak‘s movie rating by the pondering movie fan: 2.5 out of 5

Annabelle

AnnabelleAnnabelle is a spin-off of the successful The Conjuring movies. But unlike its predecessors, its frights and scares came short. To be honest, I would say nary a real scare came out of this film. Many of the supposed scary scenes were just those jolts that you feel when you are surprised.

Annabelle is about a doll that was possessed by a female member of an occult who killed herself during a home invasion. The owners of the doll, John (a resident doctor) and Mia (who has just brought a baby daughter into the world) soon experience supernatural occurrences in their home. Even when they moved to an apartment in the city, the paranormal activities continued. They soon find out what’s causing these troubles. Heeding help from anybody they think who can help, would they be able to stop Annabelle? What are they willing to give just to protect their baby daughter?

The first part of the film is actually good. The back story is well told, and the characters are adequately developed. The scary scenes on this part could shock you a bit but you’d want to expect something more. I am a fan of horror films and I’ve seen a lot. This one I did not like. After that good first part, the story moved on without upping the suspense. I liked The Conjuring and its sequel but this supposed prequel and spin-off to those two movies is a fluke. A lot of people say that they got scared of this film and I really wonder how and why. I might have enjoyed more a repeat of the horror films that I liked watching before than watching Annabelle.

I like how the lead actors did their part (especially Annabelle Wallis as Mia) in the movie. However, no matter how they performed in Annabelle, they won’t be praised as a consequence of the film’s subpar quality. Their efforts are easily overshadowed by the fact that this movie is devoid of anything new, from the story itself up to the scare department. I can’t help but think that the decision to push thru with this spin-off is just all about the money.

If you were to watch a horror movie that’s still showing out there, avoid Annabelle at all costs. Just rent a tried and tested horror classic and watch it in the comforts of your home.

Annabelle‘s movie rating by the pondering movie fan: 2 out of 5

Best Movies of 2013

Let’s take a look at the best movies the year 2013 has to offer days before the most prestigious award-giving body for movies airs on the United States. These are my top choices for time-worthy and money-worthy cinema:

TOP 14- BEFORE MIDNIGHT

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I want to start this yearly countdown with the third installment of the romantic Before trilogy starring Ethan Hawke and Julie Delpy. Thanks to the good word of mouth from people who have watched this movie in theaters I got interested in watching the first two Before movies. And I was flabbergasted by how good they were. The directing was brilliant and the acting done by Hawke and Delpy never seemed be acting at all. And the writing, hmmm, the writing! It was nothing short of great! The last installment, Before Midnight, thankfully did not disappoint either. I was happy and fulfilled about how the characters came to be.

TOP 13- PRISONERS

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Hugh Jackman and Jake Gyllenhaal star in the most thrilling and one of the darkest movies of the past year. The story of child abduction is never light and it wasn’t treated lightly in Prisoners. Apart from the believable acting done by the cast, this movie showed great editing, suspenseful directing and smart writing. Too bad it was one of the most underrated movies of the past year which is why only a small number of people were able to watch it.

TOP 12- FROZEN

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Frozen is the best film Disney has produced for a long time. Using their magic formula of putting a princess as a lead character, they made a great change this time in terms of resolving the always predictable conflict. Not to spoil anything but this great change made Frozen one-of-a-kind.

TOP 11- CAPTAIN PHILLIPS

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Paul Greengrass is a master of action. I wasn’t convinced at first that a ship and its captain that are being taken over by pirates could make such a very suspenseful narrative. But it could. In more than two hours of scenes involving the captain and his crew protecting the ship, falling for the mean pirates, negotiating with them and finally resolving the conflict, the movie depicted the most astounding hostage-taking drama film. Greengrass, along with his brilliant lead actor, Tom Hanks, presented a very interesting tale about how it is to be taken at sea.

TOP 10- BOY GOLDEN

Boy Golden

Just when I thought no good film would come out last year in the Metro Manila Film Festival come the little promoted Chito Rono film called Boy Golden. The title must have a premonitory effect as this is gold compared to the other MMFF entries.

I love how Chito Rono took care of the movie. He tied up all the scenes without lose threads. He did not allow mediocrity sip into his actors’ performances. And I just really like how he works with colors in the film’s scenes. He found beauty in each scene no matter how unlikely it was and this gave a much profound effect to what he wanted to convey about his characters or what’s happening in the story.

TOP 9- HER

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Want to watch a film that will really make you think about human relationships? Watch Her, the latest film from acclaimed director, Spike Jonze, and brilliant actor, Joaquin Phoenix, as they tackle how humans express love with each other now and how it might be in the near future.

Joaquin Phoenix displays his brilliance once again as the lonesome lead character in the movie named Theodore. Every quip, every act he made seemed so natural. But he wouldn’t do it that well without Samantha, which is voiced by Scarlett Johannson. “Her” quirkiness and poignancy as the super smart computer made it believable that a human could really fall in love with a machine.

TOP 8- AMERICAN HUSTLE

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David O. Russell did it again with American Hustle. In comparison to his previous great efforts, this movie is like an organized chaos of ideas. A great chaos, that is. And much like how Russell directs his films, this one seemed blurry at first until one gets over the blurriness and seemingly understands what the whole films is all about. That’s how Russell shows his brilliance. He’ll let you in little by little until you find yourself wanting more. But his directing would be futile if not backed up by a brilliant cast led by Christian Bale, Amy Adams, Chris Cooper and Jennifer Lawrence. None of these actors were seen as themselves in the film. Why? They were not seen because they became their characters. And you just got to be awed by how amazing these talented individuals were when given a smart script that they could toy with. American Hustle is definitely one of the greatest movies of 2013.

TOP 7- THE WOLF OF WALL STREET

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Martin Scorcese’s latest offering, The Wolf of Wall Street, trumps many a great movie about money-making schemes. Watching it is a blast from start to finish! It’s got that great vibe of helping you understand how people in the stock market do what they do good. I kind of expected Leonardo diCaprio to be great, but I was nicely surprised to see him a lot better than what I was expecting him to be! He would surely given Chiwetel Ejiofor of the brilliant 12 Years a Slave a run for his money in the Oscar race for Best Actor. I actually thought he’s given the best performance of his life in this movie, being really the wolf in the Wall Street.

The movie seems to be an amalgam of deadly sins: greed, gluttony, power andlust. Leonardo diCaprio characterized all of these in his characterization of Jordan Belfort, the notorious stockbroker who owned Stratton Oakmont and made lots of millions swindling investors in the stock market. The way he spoke would seem to persuade even the most skeptical person to invest in his company. He didn’t really care about the investors; he cared about making loads of money. He, together with his friends and employees, drank and partied hard, took drugs as if they’re meals, fornicate anyone even those he is not fond of. He was addicted to power by not just trying to maintain being rich, but doing all he can to become richer and richer. All of these drowned him into the well of immorality, a world where everything seemed to be fun even though they’re not.

Scorcese still has his magic. In three hours, Scorcese showed how such a character like Belfort could have done such outrageous things. It is a testament that he really excels in doing movie that shows a study of character. He effectively showed how a small-time dreamer turned into a great but wild realist in the Wall Street. Belfort had a vision of what he wanted to be, and Scorcese made that evident in his frequent collaborator, Leonardo diCaprio, who’s insanely good in this movie.

TOP 6- THE WAY, WAY BACK

The_Way,_Way_Back_Poster

Probably the most underrated movie in this list, The Way, Way Back is a coming-of-age movie that touches the heart, reels up the mind and brings out the good in every viewer’s soul. Yeah, that’s how deep the movie is even though it appears as just one of those teenage movies, which it definitely is not. It is the total opposite of the senselessly “fun” teenage movies as it deeply explores relationships of a child to his family, his friends and his crush. Putting in great performances are Lian James as Duncan, the 14-year-old central character of the film, and Sam Rockwell as Owen, the newly-found childish yet wise friend of Duncan when their family went to a beach house for a vacation. They, along with the rest of the cast, made the brilliant script come really alive. Thanks to its directors Nat Faxon and Jim Rash for bringing this movie into fruition. Would you believe the movie is their directorial debut? What a great start!

TOP 5- NEBRASKA

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“It’s a long time ago. Why are you bringing that up for?”

This movie is a funny, straight up story about a senior man and his family who went back to their roots in Nebraska. I had reservations before watching this film but after watching, I realized I should have not. I liked it actually. A lot.

I was wondering why the director chose the movie to be filmed in black and white. But while watching, I thought it must have been for a good reason. Reminiscing the old times? Looking for what’s good and what’s bad? We may never know. But what I know is that it was beautiful even only with its black and gray hues. In addition, there were a lot of shots that show a lot of very picturesque sceneries and scenic moments.

It never hurts to watch a good movie. Nebraska is one of those movies that you would really appreciate watching. You won’t only enjoy, you won’t just be entertained. You’d certainly feel good. But not just that, you’d pick up a lesson or two.

I like the movie’s quiet. I like its easygoing feel. I like its soothing music. I like the belongingness and the cheers. I like the confrontations and the bickering. I like its bright and dark contrasts. I like everything about it. In one way or another, every person is going through one of the roads any of the character is experiencing in the movie. Some will rise above the others, some will do just fine. Some will die early, others may grow old yet the may grow old in misery. It’s nice to know, though, that everything seems to be just fine. Believe in something… because it never hurts to believe.

TOP 4- CATCHING FIRE

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Catching Fire is one of those rare occurrences that a sequel of a movie is much, much better than its predecessor. Whether it’s because of the bigger budget or a better director, the movie is certain to give the moviegoer a great film experience upon watching.

I have read the book where the movie is based and I can say that this movie version is much more faithful than The Hunger Games. It’s been roughly two years since I’ve read it but after watching one scene after another, glimpses of what I have read suddenly came back.

Ten minutes into the film, I was already feeling the drama and the heaviness of its themes. Jennifer Lawrence (as Katniss) and Josh Hutcherson (as Peeta) are, without a doubt, two of the best actors in this generation. They make small scenes seem big and important with the way they act: their nuances, their delivery of lines, their movements. They made me believe once again in their characters. Meanwhile, I like the supporting cast much more in this movie than the last one.

Amazing visuals. Good musical score. Great directing. This movie seems to have it all!

TOP 3- ON THE JOB

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Top-notch directing and editing, very credible acting, excellent production design, great musical score, this movie has it all. To tell you the truth, I already had high expectations before watching because of good word-of-mouth feedback from people and raving reviews from critics. It was that high that I prepared myself to be disappointed. But, no. The movie was worth the hype. On the Job delivered greatly that acclaimed movies of many years past were not able to achieve.

TOP 2- 12 YEARS A SLAVE

12 Years A Slave

12 Years A Slave is one of the most buzzed films of 2013 and it is deserving to be so for one very good reason: it is a great movie. The way director Steve McQueen touched the topic of racism would truly affect you, inspire you (to do what’s good) and discourage you (from doing what’s bad). It didn’t come off as preachy, but it set the drama for every eye to see what was happening in America almost 200 years ago.

Come to think of it, the movie served as a reminder, too, that it’s much the same today, albeit a different kind of use and abuse are being done to other people. Despite the preaching of good people, awareness and knowledge about what’s right or wrong, some people still enslave other people in more ways than one.

With great directing/ editing, credible acting, impressive writing and brilliant production values, this movie is a great contender for Oscar’s Best Picture. I wouldn’t be surprised if it upsets my 2013 favorite Gravity.

Read the rest of my review here.

TOP 1- GRAVITY

Gravity

A visual spectacle and an emotional masterpiece, Alfonso Cuaron’s Gravity takes off as one great 3D movie a film enthusiast will definitely love.

It’s an understatement when I say that watching this movie is a great 3D experience. It’s a joy to float with the characters in space and their space shuttles and yet it’s a tragedy to tumble with them unto the unknown. You would be able to grasp that idea of emotion they must be reeling to feel while enduring the idea of being really there in the outer space. Every single move they do with their body, every single twitch of their eye, every word their mouths articulate, you will feel. All of these things are present in the film without lacking in visual aesthetics. The space setting was so real you’ll feel you’re there all those times. The space shuttles, the debris, the stars and the Earth all felt real. Add to that the sometimes subtle, sometimes roaring musical score and you’ll definitely know you’re in a great ride. Because of these and more, the film went beyond spectacular. Gravity seemed like a character study in a display of technically perfect showing. Kudos to all the visual effects people, the sound masters and the meticulously great director of the film, Alfonso Cuaron.

The story might be very simple but it’s got great lessons for everyone. We all go through changes. We all go through sorrows. We all experience alarms and unpleasant surprises. We all sometimes just want to tune out everyone and just be with ourselves and ourselves alone. In the end, you will know that you’re still there with yourself, all changes or not. In the end, you will know that you can’t forever wallow in sorrow. In the end, you will learn to survive any astonishing thing that comes your way. Because in the end, if you have the will to live, you will always make it through.

RUNNERS-UP:

DALLAS BUYERS CLUB

AUGUST OSAGE COUNTY

SAVING MR. BANKS

LE PASSE

METRO MANILA

WORLD WAR Z

IRON MAN 3

Paranormal Activity: The Marked Ones

Paranormal_Activity_-_The_Marked_Ones_2014_posterThis movie banks on the successful found footage horror film, Paranormal Activity. It is said to be a spin-off of the original franchise but the story of The Marked Ones cross with that of the original.

The movie is about Jesse, an eighteen-year-old high school graduate who lives in an apartment building with his dad, grandma, and a woman named Anna who everyone thinks is a witch. One day, Anna is murdered, and a former classmate of Jesse is suspected for the crime. He, along with friends Hector and Marisol, go and seek Anna’s apartment only to discover black magic rituals, book of witchcraft and a number of Jesse’s pictures. Things go awfully weirder when he wakes up with a bite mark in his arm and later on displays some inhumane strength. Who has bitten him? Why is he displaying some great strength? What is he got to do with the suspected witch called Anna? These and more would be answered when you watch the film…

…or just search online. I would really, really recommend great, or just even good, horror movies for people to watch but The Marked Ones isn’t just one. Yes, it shows a lot of freaky and frightening stuff but ultimately, it just fails to live up to the hype of that first Paranormal Activity movie. The highly intense and frighteningly scary last minutes where Paranormal Activity movie is known for is still here in this movie, though. It’s just saddening how absurd the writing is especially during these last scenes, making the whole story really implausible.

I wish Oren Peli and the rest of the creators of the Paranormal Activity franchise get sick of milking a starving cow from getting something out of a very thin script. What could have been an opportunity to turn things around, tie storylines better or do something different for found footage genre is wasted with this film. I hated the camerawork, and giving a reason to make it shaky and all to make it more believable is just very annoying. Nobody in their right minds would video something they think is important and not make it look good. And who even carries around a camera to record videos of their banal moments or even those times when they could get killed? So much for a found footage, I’ll tell you.

Nevertheless, Paranormal Activity: The Marked Ones still got the usual scares that people loved or hated to watch. If you want something freaky, scary and funny to talk about with friends and family who care about these things, then watch it. If not, don’t. I just don’t want any other people wasting their money to buy tickets and find disappointment later on.

Paranormal Activity: The Marked Ones’s movie rating by the pondering movie fan: 2 out of 5

Pagpag (Siyam Na Buhay)

PagpagIt’s been a long time since I last watched a good Pinoy horror film and after watching Pagpag, I guess it will still take a while before I will finally be able to watch one again.

Pagpag is a Filipino superstitious belief that means shaking off whatever or whoever went along with someone who has just visited the dead. This is done by going somewhere first before going home. The movie tried to show the implications of not following this belief, along with other unwritten rules regarding visiting the dead. Unfortunately, the topic could have been used well to make up a good story line.The movie writers seemed to have wasted it by just enumerating the superstitions and showing gruesome ways of dying for the affected characters as a consequence. Ultimately, it turned out that the deaths in the movie is not merely about not following the superstitious beliefs. It is more like making a pact with the devil to resurrect the dead. Hence, the title of the movie is a bit misleading.

Majority of the cast could have been given more push to be really in the zone of each scene. The teenage characters reflect specific stereotypes in the teenage world and this is actually good so the audience could somehow relate. It’s a plus that they are shown doing the usual activities of the youth of today  (browsing the internet, socializing via social networks, doing a selfie, etc.) because then it becomes more realistic. Sometimes, though, few of the actors might have been instructed to bank on the kilig and harutan scenes in spite of the supposed horrifying situations they are in. Are you still going to flirt in the middle of a life and death (by a ghost) situation? Definitely not. But they did here in this movie.

The movie is a horror comedy. Most of the time, it did deliver well during the funny scenes. Janus del Prado is as good as always. He is one of the only three actors who are really into their characters. The other two are Paulo Avelino and Shaina Magdayao.

I am surprised to find out that still, many people are present in the movie houses to watch the Metro Manila Film Festival movies. But what surprised me more is the presence of hardcore Kathniel fans (supporters of Kathryn Bernardo-Daniel Padilla love team). They are almost always heard shouting or jeering every time their idols are both present onscreen.

The movie did feature some shocking horror scenes. However, I have seen better ones that had a more profound effect to the audience (i,e, Feng Shui, Sukob, The Healing). The eerie atmosphere is felt, though inconsistently.

Lastly, I wish that next time, these types of story get in the hands of great writers who could come up with more exciting and more realistic story lines. Nevertheless, the movie’s able to scare (a bit) and amuse the audience all throughout.

Pagpag‘s movie rating by the pondering movie fan: 2 out of 5