An adaptation of the 2012 book of the same name, Gone Girl is about the disappearance of Amy Dunne (played by Rosamund Pike), a seemingly successful writer even as a child. Her husband, Nick Dunne (Ben Affleck), a journalist who has lost his job, is the primary suspect after she went missing. What happened to Amy? What did Nick do? Did he kill her? These are the questions that film will make you ask during its first part. The media frenzy ensues; the police work does its dues; and the story about Nick and Amy’s convulated love, complicated relationship and difficult marriage start to unfold.
Rosamund Pike, an actress whom I have heard a lot of times before but never made a mark on me, is a big revelation here as the titular character. If she’s been constantly overlooked before, watch out for her after she gets nominated and given accolades for this film. Clearly, she’s a force to reckon with. She’s able to embody that missing girl… who’s got a lot of secrets.
Ben Affleck impresses as Nick Dunne, the husband of the missing girl. It is really a wonder why he acted differently when his character’s wife started to go missing… until you learn his character’s story and hers. You will not root for him because you will hate him. But you will try to understand where he’s coming from. And that will make you like him. And hate him again for trying to do not the good thing but the right thing in the end. And nothing seems to be more complicated than that. Nick’s interview in a local TV show highlights the best of Affleck’s abilities in the movie: he made himself admit his mistakes as bait for his missing wife. His admission exposed what his character really is but the circumstance behind the camera is telling otherwise. That ability to embody the complexity of his character is what makes Affleck so great here.
David Fincher is a master of suspense. I liked The Social Network because of the thrilling sensation behind its smartness. I liked The Girl with the Dragon Tattoo because of its breath-taking scenes and very memorable characters. But I loved Gone Girl. Just like my favorite Fincher movie, Fight Club, this movie is exhilaratingly good and fashionably intelligent. The characters are going to take you deep into their story. Gone Girl is going to make you feel. More importantly, it is going to make you think. It is going to make you grasp for reasons why certain situations happen, how people behave and why some relationships have to end. The maze I was talking about a while ago would trap you. But it will eventually lead you the way out with satisfying answers.
The editing done in Gone Girl is slick and smooth. I love how the transpositions of the scenes are done: having Nick’s perspective of the story alternate with that of Amy’s during the first part. When everything in the story is exposed, the perspectives shifted to the reality. And the way these two stories are woven together is impressively good. Towards the last part of the movie, the suspense is kept at a level wherein you won’t be exhausted that much, just enough for you to still be exhausted on what’s about to come up next.
Perfectly casted (from the leads down to the very small supporting roles), brilliantly directed and beautifully filmed with notches of great sound and musical score, this movie deserves a perfect rating.
Gone Girl’s movie rating by the pondering movie fan: 5 out of 5